![]() It is true that transcoding it up will not add color value. For the above reasons but also for another. ![]() Which can yield unexpected shifts in edit points.įor color, we also have it transcoded as well. Second, because it often contains key framing in the compression. First, because h.264 is a processor intensive codec. Generally, we need to transcode H.264 footage to Prores before we even start editing. For the best results and smoothest work flow always transcode to a working, master quality codec. Regardless of whether a software supports using H.264, AVCHD, or whatever form of MPEG it should be avoided. Any way to convert H.264 to ProRes on Windows for better editing? By searching high and low, I got some hints. Is it necessary to convert H.264 to ProRes before color grading? What if I am not an Apple user and have only been using Windows all my life. I am curious to know if H.264 footage from a decent camera like the Canon 7D leaves enough room for playing with colors in post.
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